artist

Daria Habich

Daria Habich Daria Habich Daria Habich Daria Habich Daria Habich Daria Habich Daria Habich


My artistic practice explores the relationship between the human inner state and external reality. Working across painting, installation, and spatial interventions, I investigate how consciousness, perception, and lived experience take on material form.

My artistic language is informed by contemporary interpretations of quantum theory, embodied ad energy practices and psychology. Through symbolic imagery, installations, and immersive environments, I explore themes of transformation, interconnectedness, and the invisible structures that shape human experience. My works invite viewers not only to observe but to become active participants in the experience itself.

In turn, my art becomes a space for the viewer's inner transformation. I am not interested in illustrating scientific or spiritual concepts; rather, I seek to create situations in which the invisible becomes tangible, allowing people to encounter themselves, their inner processes, and their relationship with the world in new ways.

For me, art is a form of inquiry. It is a space where inner experience takes material form, and where reality reveals itself as a continuous interaction between the individual, perception, and the surrounding world.

2025
Forest Point(Bielefeld, Germany)
2024
Glimmers(Zentralmanagement Bad Godesberg, Bonn, Germany)
Soul Garden(Pavillon Brackwede, Bielefeld, Germany)
Blooms(Walisko, Bielefeld, Germany)
2025
Resilience. Fortitude(DUGB Gallery, Bielefeld, Germany)
Whispers of the imagination(Art voyage gallery, Zurich, Swizzerland)
Butterfly effect(Auslandsgesellschaft, Dortmund, Germany)
2024
Draw me a poem(Museum of Theater, Music and Film Arts, Kyiv, Ukraine)
Butterfly effect(St. Volodymyr's Church, Hannover, Germany)
Floral pastoral(Marii Zynkovezkoi Museum, Kyiv, Ukraine)
Ukraine is our home(Tychyny Museum, Kyiv, Ukraine)
Butterfly effect(Katharinenhof Gallery, Bonn, Germany)
Butterfly effect(Brackwede Pavillion, Bielefeld, Germany)
Sleepless(Hamburg, Germany)
Butterfly effect(Leverkusen Forum, Leverkusen, Germany)
Butterfly effect(Artmx Gallery, Colonge, Germany)
2023
Generation of war(Kavaleridze museum, Kyiv, Ukraine)
Illuminant(Meta senses Gallery, online)
Places of power(Finzgarieva Gallery, Ljubljana, Slovenia)
DaKunsti(Gallery KÖ 106, Dusseldorf, Germany)
Ukraine is us(Stadthalle Merzig, Merzig, Germany)
2018
Art inside. Flowers(Spivakovska Art Gallery, Kyiv, Ukraine)
Art inside(Art-prichal Gallery, Kyiv, Ukraine)


In my artistic practice, I explore the deep inner processes of human nature through painting, performance, graphics, and interaction with artificial intelligence. I am particularly interested in aspects of quantum psychology, existential struggle, the search for harmony, the connection between humans and nature, and the power of thought-forms in shaping reality. My works serve as a sensory exploration of liminality—between the conscious and subconscious, the real and the metaphysical, the material and the energetic.
The central concept of my practice is the Garden of the Soul project, where I perceive the human soul as a living space where every thought and emotion grows into the events of our lives. Through visual narratives, I analyze the impact of energetic vibrations on the environment, demonstrating the correlation between actions, emotions, verbal structures, and their consequences. The symbolism of plant life, especially flowers, plays a key role in my work—not merely as decorative elements, but as allegories of transformation, renewal, and the cyclical nature of existence.
An important direction of my artistic research involves experimental practices that visualize the influence of human energy on organic forms. One such project consists of observing three groups of plants to which I transmit different emotional states—love, hatred, and neglect—over several months. This experiment highlights the power of mental and verbal impulses, opening space for reflection on their impact not only on humans but also on the surrounding world. This concept extends into my collaborations with neural networks, where I explore the boundaries between the human and the algorithmic, the analog and the digital, the empirical and the conceptual.
My art is deeply rooted in observing natural cycles, the rhythms of bloom and decay, which resonate with human emotional states and life phases. In my works, I consciously reject idealized forms, favoring organic, textured, and “imperfect” structures that, to me, symbolize authenticity and the passage of time.
My art is not just a visual experience but a space for dialogue. The viewer is not merely an observer but an active participant—feeling, questioning, and rethinking their own impact on the world. Through reflection on the interconnection between humanity, nature, and spirituality, I aim to inspire a deeper awareness of one’s presence in the world. After all, what we cultivate within our souls determines not only our inner reality but also shapes the landscape of the world in which we exist.

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